Manipulating the Sign: A Semiotic View of Li Shangyin’s Allusiveness
Abstract
Focusing on the formal and semantic allusive
process in some of Li Shangyin’s (ca. 812-858 ) allusive
poems, this paper demonstrates how the (inter-) textual
space functions “as a principle of organization for
making signs out of linguistic items.” (Michael
Riffaterre)
Keywords
allusion; semiotics; marker; activation; intertextuality; “clouds and rain;” overt; assimilative; poetic signification
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